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Two performers and a responsive sound system explore shared control, responsibility and non-violence through movement.

Muta.Wari’s sound and Akad⁰’s movement unfolded through a live exchange of gestures and responses.

A seven-day performance lab questioned established habits through physical practice, improvisation and collective composition.

These lamp studies brought motherboards and chips into illuminated objects.

Folded translucent plastic separated points of light into amber, cyan and magenta.

Audience choices shaped a participatory encounter with hate, pity, empathy and guilt.

Photography, projection and live sound reinterpreted the architecture of Landgrafenschloss.

Small lights followed the scale, textures and forms of the tropical house at Marburg’s Botanical Garden.

A 2022 music collaboration featured vocals by Ghaith Mansour and drums and co-production by Aufmischen.

Two performers and a responsive sound system explore shared control, responsibility and non-violence through movement.

Dan Bay and Omar Tara collaborated on a track released by Alt Orient on Ao Va.

Muta.Wari’s sound and Akad⁰’s movement unfolded through a live exchange of gestures and responses.

Omar Tara and Dan Bay collaborated on this 2025 music release.

Dan Bay featured Omar Tara on a track released by Baikal Nomads on Badarchin vol. 03.

I provided technical direction for a festival of oud masterclasses, collaborative music-making and live performance in Leipzig.

Two bodies became a shared visual field in a dance and video installation about connection and perception.

Peripatetic Clouds was released in 2024, with credits to Omar Tara, Akad and RA Remix.

Les Mégots was released by Omar Tara in 2019.

The series revisited an earlier self-portrait project through a new sequence of images.

This TouchDesigner study explored Limit and LFO operators through still images and a video sample.

Generative image experiments from the portfolio.

Two bodies became a shared visual field in a dance and video installation about connection and perception.

This series developed through TouchDesigner image studies using creative noise.

This generative study worked with noise and instancing.

The first part of the self-portrait project explored variations through a sequence of visual studies.

This series brought acrylic and digital manipulation into the same image-making process.

These projection studies were developed for Ein Fisch der auf dem Trockenen Schwimmt.

Forms emerged against a black field, exploring the boundary between presence and absence.

Colour and depth turned procedural spaces into a study of presence and transit.

Audience choices shaped a participatory encounter with hate, pity, empathy and guilt.

These collaborations connected live visual mapping, light control and audio-reactive projection across clubs, theatres and festivals.

I provided technical direction for a festival of oud masterclasses, collaborative music-making and live performance in Leipzig.

These collaborations connected live visual mapping, light control and audio-reactive projection across clubs, theatres and festivals.

Light and audio-reactive visuals supported Abdul Aziz Al Khayat’s graduation performance at Frankfurt LAB.